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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/02/09
#Folk Songs
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2026/01/30
Articles
825
#Fine and Applied Arts
Georgian Ceramics: A Continuous Form of Culture
5258
#Interviews
Intervew with Malvina Mukbaniani
2472
#Folk Songs
In the Footsteps of Tamar Mamaladze
7604
#Interviews
Interview with Giorgi Donadze
12769
#Photo Essays
The Magic of New Year’s Day
320
#Interviews
Marine Mizandari: ‘Protecting Cultural Heritage Is Part of Human Rights’
E-Library
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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23/08/25
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04/07/25
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07/11/24
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