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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
September 19-21 – University of Chant Ensemble at the Antiche Radici 2025 Festival
#Folk Songs
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2025/09/18
#Folk Songs
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2025/09/15
Articles
926
# Study
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#7
The Decade of Georgian Art Behind the Scenes of the Opera House
924
#Folk Songs
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#7
In the Footsteps of Tamar Mamaladze
7575
#Folk Songs
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#4
What was the first polyphonic singing like?
11894
#World Cultural Heritage
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#2
Singing Alilo in Northern Italy
11111
# Study
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#5
The Mystery of Notating Georgian Church Hymns (Part I)
9553
#World Cultural Heritage
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#5
From TREK DANSE to HOSPITAL NATURE
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Journal “Georgian Folklore”
Journal Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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