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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/01/30
#Folk Songs
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2026/01/23
Articles
4545
#Letter from the Editors
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#2
Letter from the Editors #2
12620
#Photo Essays
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#2
The Magic of New Year’s Day
2618
# Study
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#7
The Decade of Georgian Art Behind the Scenes of the Opera House
23181
#Choreography
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#2
An International Award-Winning Georgian Choreographer
2743
#Musical Instruments
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#7
Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
26425
#Dialect
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#1
Georgian Musical Dialects
E-Library
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
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#8
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23/08/25
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#6
04/07/25
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#5
07/11/24
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23/08/25
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04/07/25
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#5
07/11/24
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