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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/04/29
April 27–29 – Gurian Dance Masterclass
#Choreography
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2026/04/21
Articles
14741
#Musical Instruments
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#4
Ch’iboni: The Bagpipes from Ach’ara
19691
#Ethnography
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#2
“Bat’onebis Nanina”: Traces of the Merciful Era in Georgian Song
11538
#Chant
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#5
The Story of a Great Chanter: Davit Shotadze, a.k.a. Chkhareli
28315
#Chant
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#1
Georgian Chant: From the Depths of History to the Present Day
5341
#Choreography
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#6
The Foundational Figure of Georgian Choreology
4519
#World Cultural Heritage
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#6
COLONIALISM AND CHANGE IN SCOTTISH BAGPIPING BACKGROUND AND CONTEXT
E-Library
Songs From the Repertoire of Ensemble „Nanina“ - A Sheet Music Collection with Audio and Video Companion for Educational Use
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Magazine “Georgian Folklore”
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#8
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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