Georgian Folklore
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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
#Folk Songs
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2025/08/06
#Folk Songs
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2025/07/28
Articles
3003
#Photo Essays
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#6
The first sound recordings in Georgia
237
#Ethnography
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#7
Georgian Knowledge of Childhood Infectious Diseases (“Batonebi”) and Their Reflection in Folklore
11504
#Choreography
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#1
Georgian Dance Speaks to Us in the Language of Myth
4238
#Fine and Applied Arts
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#4
Family Crafting: Traditional Roots, Modern Techniques
9296
#Choreography
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#5
Georgian Dance as Therapy
11783
#Folk Songs
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#3
What Did Stravinsky Really Say about Georgian Music?
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Journal “Georgian Folklore”
Journal Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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