Georgian Folklore
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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
#Folk Songs
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2025/11/05
November 5–10–China International Import Expo 2025
#Folk Songs
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2025/11/04
Articles
13661
#Fine and Applied Arts
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#2
The Role of Chichilaki in New Year’s Celebrations
10354
#Chant
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#5
The Story of a Great Chanter: Davit Shotadze, a.k.a. Chkhareli
17515
#Fine and Applied Arts
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#3
Traditional Crafts in Georgia: A Short Historical Overview
11352
#Photo Essays
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#2
The Magic of New Year’s Day
109955
#Interviews
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#2
Interview with Caroline Bithell
9591
#Folk Songs
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#4
What was the first polyphonic singing like?
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Journal “Georgian Folklore”
Journal Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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