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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/03/14
February 28 – “Chemo Kargo Kvekhanav” • Didgori Ensemble in Kvemo Alvani
#Folk Songs
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2026/02/24
Articles
3014
#Folk Songs
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#7
In the Footsteps of Tamar Mamaladze
7931
#Dialect
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#4
The Musical Dialect of Kakheti: Ornamentation and Performance Features
3300
#Musical Instruments
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#7
Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
6054
#Folk Songs
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#6
Traditional Music of Soviet Georgia
25009
#Choreography
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#2
An International Award-Winning Georgian Choreographer
30727
#Folk Songs
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#1
Mravalzhamieri
E-Library
Songs From the Repertoire of Ensemble „Nanina“ - A Sheet Music Collection with Audio and Video Companion for Educational Use
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Magazine “Georgian Folklore”
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23/08/25
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04/07/25
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#5
07/11/24
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23/08/25
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04/07/25
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#5
07/11/24
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