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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/05/16
15–29 May — The Ensemble “Lalkhori” Tour in the UK
#Folk Songs
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2026/05/15
Articles
4766
#World Cultural Heritage
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#6
COLONIALISM AND CHANGE IN SCOTTISH BAGPIPING BACKGROUND AND CONTEXT
5420
#Letter from the Editors
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#2
Letter from the Editors #2
18885
#World Cultural Heritage
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#3
A few words on Macedonian folk traditions and cultural heritage
11754
#Interviews
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#6
“Daddy's Garmoni -Playing Girl” - Lela Tataraidze
33406
#Folk Songs
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#1
Mravalzhamieri
18329
#Musical Instruments
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#5
St’viri or Salamuri?
E-Library
World Music: A Very Short Introduction
Gurian Folk Songs - According to the recordings of Vladimer and Otar Berdzenishvilis' choirs
Songs From the Repertoire of Ensemble „Nanina“ - A Sheet Music Collection with Audio and Video Companion for Educational Use
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Magazine “Georgian Folklore”
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#8
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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