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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
August 10 – concert “Anzor Erkomaishvili - 85”
#Folk Songs
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2025/08/06
July 28–30 – Ensemble “Ialoni” Expedition-Concert in Upper Adjara
#Folk Songs
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2025/07/28
Articles
11191
#Musical Instruments
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#4
Ch’iboni: The Bagpipes from Ach’ara
3783
#Interviews
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#3
Intervew with Malvina Mukbaniani
702
#Musical Instruments
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#7
Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
10419
#Ethnography
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#3
“Okhvameri”: A Cult Offering
3213
#Photo Essays
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#3
A Glimpse of Svaneti from 1925
15070
#Ethnography
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#2
“Bat’onebis Nanina”: Traces of the Merciful Era in Georgian Song
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Journal “Georgian Folklore”
Journal Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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