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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
September 13-28 – Singing Museum • Imereti
#Folk Songs
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2025/09/08
September 10-24 – Tour of the Ethnomusicologists` Creative Group Nanina and the Georgian State Academic Ensemble Rustavi in the United Kingdom
#Folk Songs
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2025/09/08
Articles
10684
#Folk Songs
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#5
Four nanas by Three Brothers
10483
#Ethnography
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#3
“Okhvameri”: A Cult Offering
3484
#Letter from the Editors
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#2
Letter from the Editors #2
756
#Ethnography
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#7
Georgian Knowledge of Childhood Infectious Diseases (“Batonebi”) and Their Reflection in Folklore
533
#Photo Essays
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#7
Guardians of Georgian Chant
12091
#Choreography
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#1
Georgian Dance Speaks to Us in the Language of Myth
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Journal “Georgian Folklore”
Journal Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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