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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
December 25 – Annual Report Concert • Ensemble “Arsiani”
#Folk Songs
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2025/12/22
December 23 – St. Ekvtime Kereselidze Scientific Seminar
#Chant
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2025/12/22
Articles
39372
# Study
The Mystery of Notating Georgian Church Hymns (Part I)
6631
#Fine and Applied Arts
Family Crafting: Traditional Roots, Modern Techniques
18619
#Fine and Applied Arts
Traditional Crafts in Georgia: A Short Historical Overview
110253
#Interviews
Interview with Caroline Bithell
14255
#Folk Songs
What Did Stravinsky Really Say about Georgian Music?
11288
#Ethnography
“Okhvameri”: A Cult Offering
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
Magazine Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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