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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2025/12/28
December 25 – Annual Report Concert • Ensemble “Arsiani”
#Folk Songs
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2025/12/22
Articles
401
#Fine and Applied Arts
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#8
Georgian Ceramics: A Continuous Form of Culture
10784
#Chant
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#5
The Story of a Great Chanter: Davit Shotadze, a.k.a. Chkhareli
10849
#Folk Songs
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#4
What was the first polyphonic singing like?
1944
#Letter from the Editors
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#7
Letter from the Editors #7
4426
#Letter from the Editors
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#2
Letter from the Editors #2
12469
#Photo Essays
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#4
George Balanchine in Guria
E-Library
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
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#8
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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