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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/04/29
April 27–29 – Gurian Dance Masterclass
#Choreography
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2026/04/21
Articles
15382
#Folk Songs
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#3
What Did Stravinsky Really Say about Georgian Music?
959
#World Cultural Heritage
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#8
Shape Note Singing and Folk Music Practice
3492
# Study
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#7
The Decade of Georgian Art Behind the Scenes of the Opera House
23515
#Fine and Applied Arts
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#3
Traditional Crafts in Georgia: A Short Historical Overview
8226
#Dialect
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#4
The Musical Dialect of Kakheti: Ornamentation and Performance Features
3498
#Musical Instruments
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#7
Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
E-Library
Songs From the Repertoire of Ensemble „Nanina“ - A Sheet Music Collection with Audio and Video Companion for Educational Use
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Magazine “Georgian Folklore”
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#8
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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