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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/02/24
March 12 – Folklore Centre Choir• First Concert of the Regional Tour
#Folk Songs
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2026/02/19
Articles
26778
#Dialect
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#1
Georgian Musical Dialects
5324
#Interviews
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#3
Intervew with Malvina Mukbaniani
6086
#Photo Essays
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#3
A Glimpse of Svaneti from 1925
14303
#World Cultural Heritage
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#2
Singing Alilo in Northern Italy
2564
#Folk Songs
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#7
In the Footsteps of Tamar Mamaladze
6658
#Chant
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#2
On One Christmas Chant
E-Library
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
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#8
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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