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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
December 25 – Annual Report Concert • Ensemble “Arsiani”
#Folk Songs
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2025/12/22
December 23 – St. Ekvtime Kereselidze Scientific Seminar
#Chant
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2025/12/22
Articles
13234
#Chant
Simona Kuti: Transmitter of Chants at the School of St. George’s Church in Khoni
3638
#Choreography
The Foundational Figure of Georgian Choreology
14363
#Choreography
Georgian Dance Speaks to Us in the Language of Myth
5343
#Chant
The Passion of Jesus Told through Music
6625
#Letter from the Editors
Letter from the Editors #5
10663
#Chant
The Story of a Great Chanter: Davit Shotadze, a.k.a. Chkhareli
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
Magazine Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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