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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
December 25 – Annual Report Concert • Ensemble “Arsiani”
#Folk Songs
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2025/12/22
December 23 – St. Ekvtime Kereselidze Scientific Seminar
#Chant
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2025/12/22
Articles
7369
#Ethnography
The Yard-Keepers of Tbilisi: Invisible Heroes Living Next to Us for Centuries
10554
#Folk Songs
What was the first polyphonic singing like?
2154
#Folk Songs
In the Footsteps of Tamar Mamaladze
16
#Fine and Applied Arts
Georgian Ceramics: A Continuous Form of Culture
12278
#Photo Essays
George Balanchine in Guria
3714
#Chant
Georgian Chanting in Soviet Georgia
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Magazine “Georgian Folklore”
Magazine Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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