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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
#Folk Songs
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2026/03/14
February 28 – “Chemo Kargo Kvekhanav” • Didgori Ensemble in Kvemo Alvani
#Folk Songs
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2026/02/24
Articles
5062
#Oral Folklore
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#6
The Soviet Christmas Tree and Santa Claus — A symbol of Children's joy or a Means of Manipulation
10131
#Musical Instruments
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#6
Georgian Folk Instrument Orchestra
3974
#Letter from the Editors
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#6
6293
#Photo Essays
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#3
A Glimpse of Svaneti from 1925
8054
#Letter from the Editors
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#5
Letter from the Editors #5
2313
#Letter from the Editors
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#7
Letter from the Editors #7
E-Library
Songs From the Repertoire of Ensemble „Nanina“ - A Sheet Music Collection with Audio and Video Companion for Educational Use
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Magazine “Georgian Folklore”
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#8
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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