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Letter from the Editors #7
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In the Footsteps of Tamar Mamaladze
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Ueno Salamuri (Reedless Flute) — a living tradition or a museum exhibit?
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The Decade of Georgian Art Behind the Scenes of the Opera House
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News
September 13-28 – Singing Museum • Imereti
#Folk Songs
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2025/09/08
September 10-24 – Tour of the Ethnomusicologists` Creative Group Nanina and the Georgian State Academic Ensemble Rustavi in the United Kingdom
#Folk Songs
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2025/09/08
Articles
7394
#Folk Songs
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#4
What was the first polyphonic singing like?
2914
#Ethnography
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#6
May Day: The Soviet Ghost of Labour Day
11305
#Musical Instruments
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#5
St’viri or Salamuri?
11801
#Chant
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#4
Simona Kuti: Transmitter of Chants at the School of St. George’s Church in Khoni
2170
#Chant
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#6
Georgian Chanting in Soviet Georgia
17856
#Choreography
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#3
Khorumi, the Sacred Dance of Georgian Warriors
E-Library
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Volume XXVI
Journal “Georgian Folklore”
Journal Coming soon
#7
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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#6
04/07/25
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#5
07/11/24
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#4
25/06/24
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