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Unknown Poem by Mikha Khlashvili
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Shape Note Singing and Folk Music Practice
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Georgian Ceramics: A Continuous Form of Culture
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The Institution of the Divinely Chosen Preacher in Georgian Folk Tradition
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News
April 27–29 – Gurian Dance Masterclass
#Choreography
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2026/04/21
April 22 – Exhibition • “Embroidered History”
# Fine and Applied Arts
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2026/04/20
Articles
17060
#Fine and Applied Arts
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#2
The Role of Chichilaki in New Year’s Celebrations
13752
#Ethnography
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#3
“Okhvameri”: A Cult Offering
17447
#World Cultural Heritage
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#1
Ukrainian Folk Music
5276
#Choreography
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#6
The Foundational Figure of Georgian Choreology
8563
#Photo Essays
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#6
The first sound recordings in Georgia
13141
#Folk Songs
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#4
What was the first polyphonic singing like?
E-Library
Songs From the Repertoire of Ensemble „Nanina“ - A Sheet Music Collection with Audio and Video Companion for Educational Use
Hymnographical collection IV Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection III Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” Third and Fourth Tones
Hymnographical collection II Octoechos of St. George the Hagiorite’s edition Stichera on “Lord, I have cried” First and Second Tones
Hymnographical collection I Octoechos of St. George the Hagiorite’s edition Troparia on the Beatitudes
GEORGIAN TRADITIONAL POLYPHONY: MODERN TRENDS AND PERSPECTIVES OF DEVELOPMENT
GEORGIAN FOLK INSTRUMENTAL MUSIC
Volume XXIX
Volume XXVIII
Volume XXVII
Magazine “Georgian Folklore”
Magazine Coming soon
#8
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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#7
23/08/25
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#6
04/07/25
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#5
07/11/24
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